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QUE SIGA LA RUMBA’S DANCE MIX IS ......................CHEVERISIMO................ - Maria von Dickersohn-former host of CD 101.9's Latin Quarter and The Jazz Cafe on Sirius Satellite Radio

QUE SIGA LA RUMBA, the new CD from the group, 3D Ritmo de Vida (lead by drummer Michael Tate and guitarist Chris Amelar), deserves to be in anybody’s top 10 list. I raved about their previous excursion,(Ritmo de Vida) with its potent pan-Caribbean mix, this latest offering has refined their original style even further. I like groups led by drummers, the percussion is always prominent. 3D has a well-rounded and creative outlook, with a distinct understanding of all kinds of Caribbean styles and rhythms. Here you will find bomba, Latin pop, a tinge of reggae, dash of soca and a bowlful of salsa. For the salsa 3D co-opted some of the bigger names in New York, soneros Herman Olivera, Willie Torres, pianist Ricky Gonzalez, percussionist Chino Nunez and a whole host of top-flight bods. As an album, Que Siga La Rumba is a success. 3D has an original vision and the creative ability to pull it all off. Another great pan-Caribbean mix from this talented and very interesting band. Top marks. -  David Hucker, THE BEAT, London 2010

Since the arrival of "Que Siga La Rumba" by 3D Ritmo De Vida at the WHRW, Binghamton University's radio station, it's been my favorite CD. It carried the radio listening to new delightful heights. "Que Siga la Rumba" and "Mi Eterno Amor" among others, tumultuously rocked the dance floor and radio listening air waves.Good luck and keep up the great dance vibes for the Salsa Aficionados..."Que Siga la Rumba" most definitely! - Ferdinand Montalvo, Radio Patria, WHRW Binghamton, NY

One thing is to have the rhythms of a latin country in your blood and to go on to seduce audiences with creations that run deep within you but when artists have not one drop of Latino blood running through their veins and their latin music rocks you to the core then that is magic. This is the case with Michael Tate and Chris Amelar, the founding members of 3D Ritmo de Vida. Their latest release, "Que Siga La Rumba" proves that passion is more wondrous than place of origin. Not only do these two musicians nail the tropical sounds that keep you dancing, they also demonstrate an uncanny ability to select band members that are simply the best. Along with an illustrious list of wonderful artists, Mr. Tate and Mr. Amelar added my beloved Wilson "Chembo" Corniel along with mi sabrossisima amiga Mayra Casales both percussionists extraordinaire, the one and only Ray Vega on the horn and when you add lyrics by the skillfully romantic Lino Iglesias, man-o-man does Que Siga La Rumba keep your juices going. But needless to say Michael Tate on drums and Chris Amelar on guitar are a team that break sound barriers with their compositions. It gives me great pleasure to urge you to run out and add this cd to your collection. It is in mine and I can't wait to hear whatever else is up their sleeves. - Maria von Dickersohn-former host of CD 101.9's Latin Quarter and The Jazz Cafe on Sirius Satellite Radio

SANTA CLAUS LLEGO A LA CIUDAD, What a tremendous "tropical" take on a traditional favorite! Simply a marvelous mambo once again! I wish I were in NYC at this very moment swinging away con el Sr. Claus y 3D Ritmo de Vida!! Ache!! - Hector Resendez 'La Voz', Canto Tropical - KPFK

A Conversation with 3D Ritmo de Vida!!! - LINK Herencia Latina

3D Ritmo de Vida’s, Que Siga La Rumba is a hard-driving lesson in what contemporary Latin music is all about. The dance floor will need to be refinished after you spin this baby! - Aaron Luis Levinson, Founder of Spanish Harlem Orchestra/Producer/DJ/Clave Police Chief

Oh Lord, Absolutely LOVE the Cd, man. Brilliant! - August Darnell 'Kid Creole'

Que Siga La Rumba from 3D Ritmo de Vida is a must have for all Salsa DJ's ,it is filled with Sabor! - Rafi Torres Jr, Sabados de Bohemia WKAQ 580 AM Puerto Rico

3D Ritmo de Vida's heavy-duty, "must-have" new release "Que Siga La Rumba", is dazzling, in terms of originality, authenticity, versatility, musicianship, and sheer swing! Yes, indeed, "the beat goes on," and these guys just keep getting better and better! - Vicki Sola', host/producer "Que Viva La Musica," 89.1 WFDU-FM and columnist, Latin Beat Magazine

Michael & Chris (3D Ritmo de Vida) have gathered nothing short of a who’s who in our music to produce one kick ass CD. "Que Siga la Rumba" delivers from track one on down. The future of our music is in good hands. - Franco Silva, WMNF Tampa Bay

Visually, the '3D' experience is one where the action jumps off the screen and straight into your face. Well, the music of New York's 3D Ritmo de Vida does much the same thing, jumping off the disc and grabbing you by the short hairs at the back of your neck. - By Tijana Ilich, Latinmusic.about.com, 2009

These days, some of the most exciting new salsa is coming out of New York where seasoned musicians are jumping on the fusion bandwagon. The marvelous thing about musical fusion is that no two groups do it the same way and you can never quite predict the result. - 

One of the groups that is creating a joyous new sound is 3D Ritmo de Vida. Founded by drummer Michael Tate and guitarist Chris Amelar, 3D's music blends salsa, soca, gospel, soul well, you name it and they mix-it-up. The result is spicy and bright, unexpected and infectious - 

However, when drummer Michael Tate and guitarist Chris Amelar founded their band in 1999, that's not why they gave their band such an unusual name. Instead, they wanted their music to be 'diverse, dynamic and danceable' and after listening to "Que Siga La Rumba", there's no doubt the name surely fits. - 

What I'm not sure about is whether or not the term "salsa" accurately describes the music, although I'm going to go with "salsa fusion" for want of a better name. The album is full of exuberant, spicy, Afro-Caribbean fusions that beg for a new term. - 

"Son Montuno Pa Dos" is a good example. The track, based on Cuban son montuno, is spiced up with boogaloo and goes on to incorporate jazz elements. "Las Cosas Cambiaran" has a nice reggae fusion going on while "En La Calle" is pure Latin jazz. There's also first-rate, standard salsa and a couple of nice ballads with an R&B feel to them. - 

Tate and Amelar invited some exceptional musicians to join in the fun. Notable are the vocals that shine with the help of Herman Olivera , Willie Torres and Jerry Lopez (among others); Olivera and Lopez each take the lead on a separate version of "Vente Conmigo" giving both artists a chance to showcase their style. - 

Contemporary, innovative and joyful, "Que Siga La Rumba" is a tasty treat that will leave you waiting for the next course. - By Tijana Ilich, Latinmusic.about.com, March, 2009

Que Siga La Rumba Cd Review - 

Wow, what a pristine, highly swinging salsa project - the second release by percussionist Michael Tate's 3D orchestra. With a pan-caribbean feel and jazzy flavor, Tate sets out to define himself differently from the commercial pop salsa mold. And, on Que Siga La Rumba, he went all out and surrounded himself with this city's best talent. The singers are none other than Herman Olivera, Willie Torres, Jerry Lopez, Chris Hierro, and, for some added oomph, coroista Ray Viera. They're backed by guys like pianists Ricky Gonzalez and Lenny Underwood, bassists Ruben Rodriguez and Leo Traversa, percussionists Wilson "Chembo" Corniel, Chino Nunez, and los metales con fuerza: Ozzie Melendez, Raul Agraz and Ray Vega. A big nod to Chris Amelar for his eloquent tres-like guitar work - it feels just right. This, folks, is salsa like one used to be able to find on any given night in New York City: direct, funky, and without pretense. I like the swanky, boogaloo flavored, Son Montuno Pa' Dos offered in both Spanish and English. There are also two versions of the powerfully moving ballad "Vente Conmigo" one sung by Jerry Lopez and the other by Herman Olivera. The musicians demonstrate just what their instruments are capable of on the pure Latin jazz track "En La Calle 52" a percussive showcase. Here's essential, modern Latin music for both the dancers and listeners. Kudos to Tate and 3D for keeping the flame burning bright. Very Highly Recommended. - By Bruce Polin, www.Descarga.com

QUE SIGA LA RUMBA has all the refreshing excitement of a Fania Allstar album... with a contemporary flair.. - Antonio Broccoli Porto, Puerto Rico

"3D Ritmo de Vida is kicking on the dance floor! Una nueva dimension en la salsa!" - DJ SIGI, The Netherlands

QUE SIGA LA RUMBA is an exceptional production - Ferdinand Montalvo, Radio Patria WHRW 90.5 FM

One of the best dance albums of 2008. Full of swing; this will make you want to dance! - London, England 2009

"Que Siga La Rumba" is Terrific.With Tate and Amelar at the helm, they make Fantastic, Energetic and Inspiring Music. - Dan Bilawsky JAZZ IMPROV New York

"Que Siga La Rumba" is salsa like it should be played... A 21 gun salute to Michael Tate and 3D Ritmo de Vida for keeping the flame burning bright up in the Big Apple. - DJ David Ortiz, El Viaje, WRTI 90.1 Philadelphia

Best Tropical Salsa CD

I saw 3D live at Gonzalez & Gonzalez in NYC and they sounded so good that I decided to buy the CD and WOW... what a great album! As a Latin music collector I can tell you that this is one of the best Tropical productions in the past decade. It has it all; Hot Dance Salsa, Romance, Tradition and innovation. Great album to dance or just sit back and listen. - Submitted by Eduvina1 (Philadelphia, PA, USA)

"3D Ritmo de Vida's, Que Siga La Rumba is a veritable Who's Who of notable musicians playing Great arrangements that Groove and will have the listener up and dancing from the start. The Caribbean rhythms, combined with bright horns, singing, and tasty percussion make for a well-rounded and enjoyable experience. Special kudos to Michael Tate, Chembo Corniel, Chino Nunez, and Mayra Casales for keeping the Percussive Groove going strong." - Steve Nigohosian - Director of Artist Relations Latin Percussion & Toca Percussion

3D's "Que Siga La Rumba" opens with a classic Salsa. " Mi Amor Eterno" knocked me out on the first listen. The song has a great groove, swing and melody, but this is characteristic of all their songs. In addition, there are fine interludes of the Tres and a strong horn arrangement that compliments the singing. They continue with " Son Montuno Pa' Dos". We hear this song in both Spanish and English on the album. The funky boogaloo-cha pleases me in the English version a lot and the electric guitar really drives it on . Another classic Salsa follows. "Vete" has a propelling swing and a jazzy undertone that works perfectly with the singing of Willie Torres. In addition a strong trumpet solo makes this a powerful Salsa Dura track. But this is not the end. "Oyelo" could help any DJ out of a jam and bring a party back to life. From the first note, "Oyelo" gives it full gas and is a song with such a force and swing that no foot could stop tapping. In this whirlwind they still find places for solos. Simply great! Likewise, the title cut of the album, "Que Siga la Rumba", has a wonderful chorus and surprises the listener with a rap section. As I already mentioned, there are not only Salsa songs on the album but also other styles. For me "No Lo Busques Mas" really stands out. A fine lifting song that simply sticks with you and the influence of the Cumbia can not be hidden. I also enjoyed "En La Calle 52" with a little New Orleans and a little jazz. Very strong. Also those who love ballads will not be dissappointed especially with "Baila Para Mi". Overall a great album! - Beschreibung, Germany,www.latinmusik.com

The Mayor of Salsamento here. Many congratulations on the success of your new production, "QUE SIGA LA RUMBA." I take my hat off to the both of you for a job well done. I'm totally happy with the music and can't put it down. "QUE SIGA LA RUMBA." will have your hips swaying and your feet moving to some great rhythms. This is a dancers special from the word go and will set the dance floor on fire with those Latin sounds that we call SALSA, from 3D Ritmo de Vida of course. I'm happy to report that "QUE SIGA LA RUMBA" placed a strong number two on my top seven for 2008. It's that good. The Mayor of Salsamento has spoken! Again, CONGRATULATIONS! - Leon Reyes, Mayor of Salsamento Host: Salsa and Latin Jazz con Sabor Latino...California West Coast Style, KVMR 89.5 FM The Voice Cable FM 88.7

Dicen que lo dificil no es llegar, sino mantenerse. Y eso es lo que precisamente han hecho los muchachos de la orquesta 3D Ritmo de la Vida, bajo la habil direccion del percusionista Michael Tate y el guitarrista Chris Amelar. Si su primer album, titulado con el nombre del grupo, fue muy bueno, el que ahora resenamos, "Que Siga la Rumba", es mucho mejor. Estos talentos van por el buen camino, con una identidad y sonido propios, que los separan del monton. Trece son lo temas que nos presenta 3D en esta ocasion, abriendo elegante y sofisticadamente con "Mi Amor Eterno", con la voz del sonero Herman Olivera, donde escuchamos ese sabor unico de la orquesta, destacandose la trompeta de Ray Vega. Disfrute igualmente de la sabrosa guaracha "Vete" cantada por Willie Torres, el mismisimo de la Spanish Harlem Orchestra; "Oyelo", donde nuevamente nos canta Olivera, y Raul Agraz brilla en los solos de trompeta; "Que Siga la Rumba", corte meloso que titula la produccion, con el talento vocal de Olivera; y "En la Calle", un numero de Latin Jazz energico y con sabor. Cabe destacar que 3D es una orquesta muy versatil, y en este trabajo incluyen chachachas, reggae, reggaeton, y hasta bolero. Lo he dicho muchas veces y lo vuelvo a repetir: solo las mentes creativas e inventivas van a llevar nuestra musica al otro nivel, manteniendola viable para futuras generaciones. 3D tiene esa caracteristica y el exquisito "Que Siga la Rumba" es prueba de ello. - (EEG)Eric Gonzalez, Herencialatina

Constantly reaching for new heights is the best way to describe the new sensational release Que Siga La Rumba by 3D Ritmo De Vida as they give Afro Caribbean rhythms a flavor unique to their vision with drums and guitar. Add to this mix an array of talented musicians & guests along with a variation of genres and you have a big global winner for the year 2009. - Nelson Rodriguez- Latin Beat Magazine and Radio Host KXLU, KCLU

3D Ritmo de Vida's latest release, "Que Siga La Rumba" redefines tropical dance music offering a refreshing groove to lovers of Latin music. - Rudolf Mangual, Editor in Chief, Latin Beat Magazine

"Que Siga La Rumba" is a superlative fusion of Latin Caribbean beats, Salsa and more.......... The CD presents a cocktail of star studded guest artists. The first track "Mi Amor Eterno" immediately sets the tone for what to expect from the rest of the CD, fusing salsa with Caribbean beats, perhaps creating a new genre of music, built on a deep rooted Caribbean influx. Simply the best creation so far from Master producers Michael Tate and Chris Amelar! - Les Rivera-Salsarican.com

3D's newest recording, "QUE SIGA LA RUMBA", brings a refreshingly eclectic sound to the airwaves. Many bands have tried to mix different genres. 3D makes it work! You can tell mastermind Michael Tate handpicked individuals that share his same vision of Pan-Americanism. - Salsapower.com, Omar Walker, June 2009

Que Siga La Rumba is a new "Hard Swinging salsa dura" release from 3D Ritmo de Vida with guest singers Herman Oliveira and Willy Torres. The German Salsa dancers love the Cha Cha 'Son Montuno Pa Dos' and the swinging Salsa songs Mi Amor Eterno, Oyelo, Vete and the title song 'Que Siga La Rumba' - DJ Michael El Rumbero, Germany

If you want to hear a versatile band that can awe you from a musical stand point, or make for an incredible night of dancing, or both at once, 3D Ritmo De Vida will do the job, guaranteed. - Gary Heimbauer, Jazz Improv New York

After listening to the CD Que Siga La Rumba, it is sure to be a hit. All the songs are danceable and when I say danceable I mean it! The lyrics have meaning and the singers are off the hook. Go out there and buy this CD, you will be dancing all night. I rate this CD out of five stars, 4.5. - Abram Rodriguez-CEO, Latin Impulse Magazine, www.latinimpulsemag.com

When Michael and Chris talk about exciting and limitless opportunities, they have profoundly underestimated their ability in providing such an accomplishment. "Que Siga La Rumba" symbolizes the ultimate in what the Afro-Cuban genre of music has transformed into. It's a conglomeration of what your parents danced to a generation ago, and much much more! Que No Se Pare La Rumba! - Hector La Voz, KPFK, 90.7 FM, Canto Tropical Program

An extraordinary release, one of the best of this year is Michael Tate's 3D "Ritmo de Vida" Que Siga La Rumba (Gotham Music) Sometimes it's hard to top an artist's first release, but 3D has set the tone for years to come. A little bit for everyone's palette with a whole lot of ...SABOR! "Que Siga La Rumba" by 3D Ritmo de Vida will stay in the CD player for a long time until their next gem is released. - Ray Cruz -Hawaii Public Radio's "Sabor Tropical program KIPO 89.3 FM

Que Siga La Rumba is a great CD filled with musicality, this is what Salsa should be, a rich blend of rhythms and melodies that animates the dancers. I have played "Mi Amor Eterno", "Vete", "Son Montuno Pa' Dos", "Que Siga La Rumba" and the great Cumbia "No Lo Busques Mas" and there is big resonance from the dancers. I wish you much more success y Que Siga La Rumba - Thomas DJ Saltho-Switzerland

3D adds a fresh breath and elegance in each of it's songs. Que Siga La Rumba incites the public to dance and enjoy a good "Rumba". Without a doubt 3D is a group with contemporary and new musical concepts. Que Siga La Rumba is loaded with flavor and good taste. - Salsa y Caliente

Que Siga La Rumba definitivamente el trabajo es de los mejores que se han publicado recientemente. Los temas fueron seleccionados con mucha calidad y estan grabados para agradar el oido y sonsacar los pies para el baile. Felicitaciones y sigan produciendo trabajos de ese tipo de calidad para que nuestra musica no desfallezca en el camino. Adelante con pie firme que la gloria y los triunfos llegaran muy pronto. Con respeto y admiracion - Pablo Delvalle Arroyo, Productor Radial, Cali, Colombia

Para mi sorpresa la produccion musical de 3D-Ritmo de Vida "Que siga la Rumba" contiene un sonido muy particular con el sabor niuyorquino del momento, pero a la vez con diferentes ritmos del Caribe entre ellos: el Reggae, son montuno, latin jazz, Reguetton, Salsa de la gorda y hasta una excelente balada vocalizada por Jerry Lopez. Para completar la sazon, utiliza la voz salsera del momento, el sonero Herman Olivera y mi amigo, el talentoso vocalista, percusionista y ahora tambien ingeniero de sonido y productor Willie Torres. La banda no puede estar mejor con Ricky Gonzalez en el piano, Ray Vega y Raul Agraz en las trompetas, Ozzie Melendez en el trombon y Chembo, Chino Nunez y Mayra Casales en la percusion. Para que lo que les digo de este CD compruebenlo escuchando "Mi Amor Eterno", "Oyelo", "Que siga la Rumba", "No lo Busques Mas", "Vente Conmigo" y el corte de jazz Latino "En la Calle 52". - JAIME F. RODRIGUEZ "LO MEJOR DEL JAZZ TROPICAL" WZNT-FM 93.7 (Z-93) SAN JUAN, P.R.

"Que Siga La Rumba" - 

Los tracks Vete y Oyelo (descargables) son un ejemplo de la variedad musical que nos presenta este album desde el principio. Los arreglos acargo del tandem Tate y Amelar son atrevidos, frescos y poco convencionales, lo cual hace dificil poder encasillar esta grabacion. Darle una etiqueta seria en definitiva no poder entender el concepto creado por 3D. Los que quieren escuchar solo Salsa o Timba se equivocaron. Tal vez estamos presenciando el surgimiento de un nuevo genero, el genero 3D (muy pegajoso por cierto). Felicitaciones a 3D por que sin duda lograron uno de los mejores albums que se han realizado en New york en los ultimos anos. - DJ El Chino (Solar Latin Club) Cali Columbia

Excelente trabajo. Si ya con su anterior album conquistaron las pistas de baile y el corazon de muchos salseros, ahora se superan en todas las composiciones que se incluyen en este "Que Siga La Rumba". Asi que no solo, sigue la rumba, sino que evoluciona en un disco completo. Escuchalo te sorprendera. - Fermin Olaya Salsanoticias Vaelncia, Espana

Hey hermano eso es una bola de fuego! Tremenda produccion y mas con la garganta del "Caballo Mayor" Hermenegildo Jr. Olivera Suarez. Eso traquea compadre. Ya puse a sonar en la radio Univalle Estereo 105.3 FM- la emisora de la Universidad del Valle: Mi Amor eterno y Que siga la Rumba a lo Olivera: A la carga! Vaya... ahora la Salsa se rapea. Aqua firme pa lo que salga y se mueva. Porque el Africa lejana la traigo yo... - Orlando E. Montenegro Rolon SALSAPACA Cali Columbia

Que siga la Rumba" es la primera produccion de 3D Ritmo de vida, anteriormente conocida como 3D y quienes ya tenian en su haber tres grabaciones. Michael Tate y Chris Amelar nos traen un trabajo riquisimo en fusiones caribenas, salsa, timba y jazz;el cual me atreveria a definir como una fusion de ritmos bailables con un alto contenido experimental. Si leemos cuidadosamente la ficha tecnica nos damos cuenta que fue grabada en diferentes sesiones, pues hay mutiples personalidades invitadas no solo en la parte vocal pero tambien en la percusion, los pianos, el bajo y la seccion de brass. El sonido que nos trae esta grabacion es mucho mas maduro que el de las grabaciones anteriores haciendo mas enfasis en el groove latino, la balada y el pop latino. Puedo resaltar temas como Son Montuno Pa'Dos, Oyelo,y En la Calle 52, una bellisima composicion en latin jazz que nos permite casi oler el caribe isleno en donde Michael Tate paso algunos anos de su vida. Altamente Recomendado - Raul Mosquera La Conga.org

Cordial saludo, refiriendose a la orq. 3D me permito decirle que es una orq. con gran proyeccion en el escenario latino salsoso que se esta gestando en este momento con agrupaciones como esta con aires frescos de talentos conocidos que le dan ese matiz de elegancia en cada una de sus piezas. Dejando aires de sabrosura y alegria que insita a bailar y a gozar de una buena rumba. 3D es sin duda la orquesta con nuevas propuestas musicales contemporaneas donde en esta segunda produccion biene cargada de sabor y alegria.y....QUE SIGA LA RUMBA......! - Yamil Mina Ararat y su SALSA CALIENTE Cali - Colombia

Questa quarto album del percussionista e batterista Michael Tate si presenta con una qualita' decisamente superiore al precedente e pur uscendo dai canoni della salsa commerciale offre diversi brani utilizzabili in discoteca , cosi' come la qualita' anche per gli ascoltatori non manca di certo! L' album si apre con la salsa 'Mi amor eterno' e prosegue con quello che per me' e' il pezzo 'top': il Montuno/Cha: ' Son Montuno Pa' Dos' ( che viene proposto prima cantato in Spagnolo e poi cantato in Inglese ) , ancora una bella salsa: ' Vete' poi si passa ad altri generi: Rap ( Las cosas cambiaran ), Balada ('Vente conmigo' in due versioni una cantata da Jerry Lopez e una da Herman Olivera : la versione che preferisco e' quella di Herman ), Soul ( Cuando te veo ), Pop Latin ( 'No le busques mas'...molto bello l' assolo di chitarra e ' Baila para mi' ); Latin Jazz puro -: 'En la calle' , brano che si fonda sul frasegio tra chitarra, percussioni, batteria e piano: strumentale e di gran qualita'. Tornando alla Salsa incontriamo la bella Salsa/Descarga ' Oyelo' e ancora ' Que siga la Rumba': Fusion tra Salsa/Guaguanco e Regaetton interpretata da Herman Olivera ...... e dunque 13 tracce per 60' di variegate proposte musicali tutte all' insegna della qualita' , con un' orchestra che comprende: Ozzie Melendez, Raul Agraz, Ray Vega, Chino Nunez, Ricky Gonzales e nel coro Willie Torres e Ray Viera !! Info e preascolti: www.hear3dmusic.com Consigliato. - Roberto Rabbi,www.salsa.it

O CD "Que siga la rumba" e um CD refrescante, fazendo lembrar os anos de ouro da salsa em Nova Iorque. Todas as musicas sao fantasticas, sendo a minha favorita a musica "Oyelo", que alias, faz parte das nossas escolhas musicas da radio. Parabens e continuem com essa forca. - Pedro Barros e Fernanda Duarte www.salsabraga.com

Finally there is a CD with Swing and Clave, 3D's Ritmo de Vida. Herman Olivera does it again. This is a CD you must add to your collection. Pa Lante con 3D Los Angeles want to see you perform on iAdelante Hispanos! TV show only on KJLA-LATV. - Mr. Michael Rojas Jr. ACE Productions Entertainment Group

3D LIVE AT GONZALEZ Y GONZALEZ April 12th, 2007 - 

By Harry Maisonet- Jazz Improv Magazine - 

The Latin music industry has been changing and evolving in the new millennium, making inroads all over the world. Latin music has taken on a global position due to worldwide interest, increased marketing, the internet and World music fusion. - 

The band, 3D, is following in the same tradition. As times change, so should the music if it is to progress and create a new audience. In the late 40s and 50s, it was the big band sound and the marriage of jazz and the Afro-Carribean rhythms, which was spearheaded by the The Big Three, Tito Puente, Machitos Afro-Cubans and Tito Rodriguez. In the mid-60s and early 70s, it was lain soul. A mix of Latin, R&B, and soul with a little boogaloo and shing a-ling thrown in, with Joe Cuba-Jimmy Sabater, and Johnny Colon and his Boogaloo Blues leading the way. By the 80s to the present, Latin music has come full circle back to its roots. - 

3D has taken all that the Latin Diaspora has to offer and added their own twist. The core members are Michael Tate on drums and percussion; Chris Amelar on guitars and Lenny Underwood on keyboards, with additional support by Wilmer Vega on conga and percussion; Jose Davila on trombone and Herman Olivera on lead vocals and percussion. - 

I caught up with 3D at Gonzalez y Gonzalez in Manhattan and was pleasantly surprised to see the dance floor bustling with dancers doing their thing. This instant barometer read: the band was there to entertain and take no prisoners. Michael, Chris and the band were doing just that. They ran through such standards as Quimbara, made famous by the Queen Celia Cruz and made it swing, bongo solo and all. Bilongo was another classic they covered. On this tune, El Maestro Eddie Palmieri would have been proud. From the trombone solo intro, to Herman's call response vocals, this led to a tasty piano solo with some nicely placed Latin licks, by Lenny. The tune progressed and the band picked up momentum leading to a Mona and a hot guitar solo by Chris. This cat can swing with the best. To include this standard in their repertoire and breathe new life and (swing) excitement into them is a credit to 3D and what they stand for. - 

The band really shines with their original compositions and arrangements, crafted with plenty of sabor by Tate and Amelar, with lyrics by Lino Iglesias. Mi Amor to Volveras, a slick smoothly written arrangement, intros with an old world Cuban swing and segue ways into a straight ahead salsa groove. It was sung with finesse and style by Herman Olivera, who added lots of call and response. There was s a welcoming trombone solo by Jose Davila, who is smooth as glass. If you close your eyes, shades of Barry Rogers (The Master of the Latin trombone) emerge. Volveras is a cookin arrangement where the percussion was driving and constant as a clock. Michael Tate is very innovative and tight on the drums and percussion, often adding layers, but never losing sight of the clave or the rhythm. The tune ended with a smoking conga solo by Vega, who is an excellent percussionist in the best tradition. Tate followed Vega with wellplaced accents and rolls converting traps into timbales. Another great composition was the title track of their last CD, Ritmo de Vida (Rhythm of Life). The tune that has a bombaplena carnaval feel and the Tate/Amelar team call it Socarengue.Ritmo opened with some exploding uptempo percussion. Olivera came in on vocals with some heavy plena in the background. Underwood followed with a light and melodic piano solo as Amelar held the bass line. This was followed by Davila on trombone who riffed his way to a triple percussion break, vocals and to the coda. - 

The status of Latin music, my friends, has yet to be discussed in symposiums and clinics. But for now we have 3D with Michael Tate and Chris Amelar at the helm. With their mix of different cultures, rhythms, and innovative ideas, I can safely say that Latin music is in very capable hands. By respecting tradition and having the vision and courage to move forward, 3D exemplifies the phrase, The music will live on Ache! - Harry Maisonet, Jazz Improv Magazine Aug 2007

3D Salsa with a Twist

by Raquel Penzo, www.latinpulse.com - 

3D came onto the scene in 1999, introducing to the Latin jazz world their unique take on the genre. Founding members Michael Tate and Chris Amelar soon expanded their vision to include keyboardist Lenny Underwood, a horn section, and the occasional Latin percussion and steel drum set. "When I can expand the band," says Tate, "I'm always looking to do it." - 

Hardcore Latin music fans take heed: 3D is not your mama's salsa band. - 

Approaching music with more of a world view, the members of 3D with Tate on drums and Amelar on guitar- pride themselves as band mates that make music dynamic, diverse and danceable. - 

To their credit, 3D does in fact offer audiences danceable and diverse tracks, choosing to experiment with different styles and arrangements on original compositions and various cover tunes: they've been known to perform Elton John's "Daniel" as a gospel song and for adding a soca flair to Stevie Wonder's "For Once in My Life." - 

Besides tinkering with covers, Tate and Amelar concentrate on recording new music for the band. "To date, Chris and I have written 50 original songs." - 

Their 2005 studio effort, Ritmo de Vida focused more on tropical/Latin beats and rhythms, getting good radio play and garnering praise from Latin media outlets on both coasts. It offers listeners a variety of island-infused instrumentals and vocals. The CD also features legendary guest vocalist Herman Olivera, formerly of Conjunto Libre, belting out tunes penned by lyricist Lino Iglesias. - 

"I like to refer to [Ritmo de Vida] as our first brick in the wall," says Tate, referring to the reception the CD has gotten. "We've been very fortunate, because Chris and I are not Latinos, and the Latino community has been very kind and embracing." - 

At a recent Cinco de Mayo celebration in New Jersey, 3D performed to a crowd of amateur Latin ballroom dancers, with guest vocalist Olivera at the helm. According to Tate, "Our best crowd is an eclectic crowd." - 

Fans should expect a new 3D creation in the very near future; tracks for the upcoming CD were completed in the spring of 2007. - 

To check out the fusion of sounds that is 3D, log onto www.hear3Dmusic.com - Raquel Penzo, www.latinpulse.com

Latin Jazz in 3D - 

Layers of rhythm provide unique flavor


By Sarah Atkinson Linville, BATANGA MAGAZINE issue #19 - 

Michael Tate, the drummer from the Latin Jazz group 3D, received his education in Latin music by intensely studying the drums and with help from his friends. He refers to Herman Olivera, who sings on their CD, Ritmo de Vida, as "an encyclopedia of Latin music", attributing many musical lessons learned to him. He also thanks Frankie Malabe who, once upon a time sent him to a CD store in the subway with a list of must-have Latin music. He bought, he listened, he played some more. - 

In 1999 Tate met guitarist Chris Amelar and formed 3D. Together they explored the rhythms that living in New York brought to their door step: music of the islands, Jazz, Soul, R&B, Salsa and Gospel. From there, they branched out to collaborate with more musicians who consistently enriched their sound. - 

Their most recent Cd, Ritmo de Vida, offers a sampling of rhythms such as Merengue, Salsa, Plena and Soca delivered with punchy horns, dynamic keyboard runs, vibrant steel pans and creative guitar licks. Album guests include trumpeter Ray Vega, pianist Oscar Hernandez and singer Herman Olivera. - 

How did you get into Latin music?

As a drummer, I was drawn to the rhythms of Africa and it's influence through Latin America and the Caribbean. I kind of landed specifically with Calypso and Soca, then through that I started getting into Salsa and Cuban music. These styles of drumming draw you to things that are more difficult to play. Being a drum-set player as opposed to being a traditional percussionist, it is a challenge to incorporate these rhythms on a standard drum set. - 

As far as artists who influenced me, I was always a fan of Jose Feliciano, both his traditional and crossover music. I remember watching him on TV. He wrote the theme song for the television show "Chico and the Man. I also listened to the great singer Benny More and percussionist Tito Puente. Living in New York you are exposed to a wide variety of music. - 

Did you and Chris have horn lines written before you recorded the CD, or did the horn players ad lib?

There were a lot of horn lines that Chris and I had written, but we had never heard them with a brass section. When it came time to do the record, we said we need real horns. We performed this music as three pieces and sometimes still do, So everything you hear on our CD, we can play live, with or without a horn section. Sometimes it's implied just enough so you hear it and feel it. We don't use prerecorded tracks or tricks. - 

Where do you play and to what kinds of crowds?

I would tell you everywhere and everyone. We do concerts, clubs, dances, festivals and church services so it's pretty diversified. This particular record is basically Latin/Tropical. There is a New Orleans/Gospel/R&B side to the band as well. You get a little bit of that on the fourth track "Country Cubano". - 

I was going to ask you about the birth and development of that one.

That track has a Cuban-influenced rhythm. I said to Chris, "Let's have the guitar be the focal point of the melody. We were just playing with different ideas and he came up with this surf-guitar type of sound. The next thing we broke into was a Baptist/Gospel feel. When we recorded it the guys in the studio were cracking up. They said, "We should bring this into the Copacabana on a Sunday morning, the crowd would loose their minds. No one ever expected it would go in that direction. A couple of Latin radio stations have called us and said it's one of their favorite cuts. It's a lot of fun to play. We were in the studio and I was talking to the horn players and asked them to think about this song as something from the Blues Brother's movie. In this film, Belushi and Ackroyd come into the church where James Brown is preaching. They see a divine light and it just turns into a gospel jump. - 

What about your experiences with some of the other tracks?

When we went about playing Con Los Manos Arriba, the recording engineer who had done a lot of Calypso music said, "This is interesting because this is the way we used to make records. Today it's all synthesizers and machines and this is all live." We used real steel pans on the Cd. - 

When you were composing these songs, did you consciously think of bringing certain types of music together?

The way I see it as a drummer, all these rhythms are brothers and sisters to one another. They may have a little different twist from country to country, however Soca and Merengue music are very closely related. One thing that helped Chris and I judge if we're going down the right path was our live performances. As long as we were getting people's attention and they were dancing, we knew we were headed in the right direction. I don't look at this as being an unbelievable revelation. It's right in front of you. Growing up in New York, you see people from all cultures living side by side, sharing music. - 

You had a special guest lyricist...

Yes, Lino Iglesias. He's a poet in two languages, Spanish and English. We presented the music to him and he said, "No problem, tell me a little bit about the songs and I will write the lyrics". I had a pretty clear idea in my head, like on the Bolero, Sobrevivir... I described a man who loved a woman that he never forgot. She comes to him in his dreams every day and from there he wrote such a beautiful lyric. - 

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"Great orchestrations blending Caribbean sounds, Latin Jazz, Boleros and Blues, 3D delivers truly something for the diverse listener. The nucleus of Michael Tate, Chris Amelar and Lenny Underwood along with Ray Vega, Oscar Hernandez and Herman Olivera, make Ritmo de Vida a "can't miss" recording." - Louis Lafitte, Latin Beat Magazine

"What happens when you eliminate the middle man in the music industry? In the case of 3D, the end product is a vibrant guide through the numerous sounds that make up the Latin Diaspora. While songs like "Mi Amor Tu Volveras" sound like summer salsa standards due in part to Herman Oliveras interpretation of Lino Iglesias lyrics to 3D's wonderful music. Others like "Guanta Rico", highlighted by Chris Amelar's great guitar work, feature the rich dynamic of the group. - German Santana, host of Caribe Latino on WKCR 89.9 FM

"Everything about this work of art is Rhythmic and so moving, from the hip swinging beats to the very cover gracing the jewel case. CARAMBA! Give me more." - Leon Reyes, "El Leon Del Ritmo" KVMR

3D's Ritmo de Vida contains something for everybody. The production demonstrates 3D's versatility, sheer originality and creativity. Whatever the genre, the music remains authentic and respectful to its roots! - Vicki Sola, Host & Producer, "Que Viva La Musica", 89.1 WFDU FM, and columnist, Latin Beat Magazine

"Ritmo de Vida carries a CD potential not seen since Eddie Palmieri began fusing Latin Jazz and Salsa together into his own, unique style. This CD represents a fresh, powerful and a pleasant injection of Latin Jazz, Salsa and other music genres, all into one piece! "That New York sound" is an expression often referred to around the world, when describing the highest quality of funky and rhythmic music. Ritmo de Vida would easily qualify as a symbol of that sound. By bringing in guest artists, such as as Herman Olivera, Ray Vega, and Oscar Hernandez, Michael Tate and Chris Amelar have truly created a Masterpiece. The CD should carry a strong appeal to any music aficionado of jazzy as well as Latin rhythms. But, is it danceable? Yes it is!!!" -  Les "SalsaRican" Rivera, www.salsarican.com, CA

"Latin music is too frequently defined by rhythm, and consequently melodic invention goes out the window. 3D doesn't have that problem. Ritmo de Vida has enough variation throughout its 10 tracks to keep even listeners unfamiliar with the vast variety of Latin rhythms enthralled." - Phil Freeman, Global Rhythm Magazine

"3D plays with a freewheeling philosophy that marries musical styles from the African diaspora and beyond." - Geraldine Wyckoff, JazzTimes Magazine

"Being in the business I get oodles of cds almost daily and most end up in the corner, in the back, in the dark but Ritmo de Vida made me sit up and listen. Sooo good to the last drop!" - Maria von Dickersohn, Sirius Satellite Radio, Latin Flavors in The Jazz Cafe

"3D's Ritmo de Vida is a really outstanding left-field hard hitter. Percussionist Michael Tate and guitarist Chris Amelar...have got together with loads of Latin bods...and created something that is more than the sum of its parts. Good one guys" - David Hucker, The Beat Magazine

"If you enjoy traveling, then you're in for an exciting journey as you experience the world of 3D and Ritmo de Vida! This wonderful new production promises to keep you simply captivated, as you are musically transported to the heart and soul of your very own "Rhythm of Life. 3D's Michael Tate on drums and guitarist Chris Amelar, will have you dancing the night away with simply sublime fusion of rhythms that begin with the clave of Cuba and end with a "standing room only" gospel tent revival! With plenty of original material, 3D's Ritmo de Vida is definitely a keeper!" - Latin Lady Dj Margarita, www.latinladydj.com

"I dig 3D because they've figured out a way to combine jazz with R&B/Funk and Carribean music and have come out with an entirely original sound. This music is about Now... this music is about Tomorrow." - Ray Vega (Da Bronx)

"The arrival of 3D and Ritmo de Vida, gives a refreshing shot in the arm to mainstream Latin music with a unique blend and interpretation of traditions." - Hector Resendez, KPFK Canto Tropical!

"3D's Ritmo de Vida is a refreshing change of pace for aficionados of Latin music. Tate and Amelar's original compositions are masterfully arranged with soulful Latin jazz, salsa, and R&B rhythms complemented with the suave vocals of Herman Olivera." - Guido Herrera-Yance Alma del Barrio KXLU 88.9

"Ritmo de Vida is just the right blend of salsa, latin and modern jazz, funk and a variety of musical styles that deliver on it's title, "Rhythm of Life"! Enjoy! Aloha!" - Ray Cruz, "Sabor Tropical" 89.3FM KIPO

"3D's Ritmo de Vida breaks down barriers and abolishes divisions between salsa lovers and jazz aficionados; between Latin 'purismo' and World-Music melting-pot. This tropical mix is guaranteed to arouse your curiosity, move your body, inspire your soul and reinforce your love of the best in Latin music as found in 'Ritmo de Vida' by 3D" - Michael Bongard, "The Latin Train" CHUO 89.1 FM

"3D is a fresh new eclectic sound in Latin music. Michael Tate & Chris Amelar are providing the future of Latin World music today with their latest release Ritmo de Vida featuring guests Herman Olivera with the lyrics of Lino Iglesias added for your enjoyment." - Luis "Speedy" Gonzalez, "Latin Jazz & Salsa", WMNF 88.5 FM, TAMPA, FL

"The opener Mi Amor Tu Volveras is a monster!...The rest of the Cd bangs as well!" - Tomas Algarin, "Latin Aura", WCLK 91.9 FM Atlanta, GA

"3D is a refreshing musical hybrid for the universal ear" - Herman Olivera

"3D is a vibrant fusion of culture and rhythm with its Latin and gospel foundation. Find the groove with 3D." - Kevin Allison, KFSG Los Angeles

"Ritmo de Vida features fiery Latin numbers and beautiful vocal melodies. 3D has a clear idea of Latin music. - Jazz Improv Magazine

"Ritmo de Vida reflects the United States at its present as a melting pot of cultures with an emerging Latin influence that is adding it's flavor to an already savory brew of American music. Add a touch of Caribbean spice, and you've got a concoction that is truly unique and difficult to ignore......... If you are a fan of the experimentation of Afro-Latin-Caribbean-American music, then get this CD. Ritmo de Vida is truly an ambitious effort and an unforgettable album. You have to hear it to believe it!" - Tanya Kotan, Jazz Review.com

"In a fiery mix of Latin/Caribbean with a soulful rhythm section and some great salsa singers, this CD Ritmo de Vida begs to be turned-up-and danced to." - Michael Handler, Jazznow.com

"3D blends timbres and rhythms from Africa, Latin America, the West Indies and New Orleans into its own unique music." - Hot House Magazine

"A musical cocktail of exotic rhythms and forms best describes the repertoire of 3D's new production, Ritmo de Vida" - Rudy Mangual /Latin Beat Magazine

"This band is a breath of fresh air that packs a powerful punch in a variety of musical styles from Latin to blues and gospel." - Wes Gillespie, Jazzsite.net

"Siempre he estado a favor de la experimentacion musical, especialmente cuando un genero o ritmo esta en crisis o en una posible transicion. La musica que colectivamente conocemos como salsa se encuentra presentemente en una de esas dos situaciones. Creado en 1999 por el baterista Michael Tate y el guitarrista Chris Amelar, el grupo 3D ha tratado de seguir la linea de la mezclar ritmos de diferentes culturas, y sus experimentos han producido gratos resultados, como se evidencia en Ritmo de Vida, su mas reciente produccion. La primera pieza del CD, "Mi Amor tu volveras", de por si amerita la adquisicion de esta grabacion. Es un tema con mucho corazon - sentimiento gitano con sabor nuevayorquino --, con el maravilloso cantar del sonero Herman Olivera, un delicioso solo de trompeta por Ray Vega, y un sabroso montuno de piano por Oscar Hernandez. Impresionante tambien es el merengue (si, dije merengue) "Ritmo de vida", que titula el compacto. En este numero, el timbal reemplaza a la tambora, dandole al merengue un sabor a la gran manzana, que me recordo "El Sentimiento de latino en Nueva York", de Angel Canales. Ni hablar del explosivo solo extendido de trombon de Jaime Ramos. Otro favorito es "My love will return", con un arreglo parecido al tema que abre el CD, pero la melodia la lleva la guitarra de Amelar, con exquisita percusion por Pablo "Chino" Nunez. Los otros temas son variados, e incluyen bolero ("Sobrevivir"), bomba ("Otra vez"), funk ("Guanta Rico"), big band jazz ("Eliana"), y soca ("Con las manos arriba"). Ritmo de Vida es un trabajo muy eclectico, donde Tate y Amelar usan cuanta influencia musical han tenido en la vida. Es un album para todos los gustos, cargado de alegria y buenos sentimientos." - (EEG) Hernecia Latina

"Escuchar la primera vez Ritmo de Vida no fue nada facil para mi, sinceramente no comprendi muy bien la fusion de tantas corrientes. La segunda vez, adivinen, me fascino. Simplemente te debes dejar llevar por sus diez temas musicales, desde el primero, MI AMOR TU VOLVERAS, una Salsa Romantica. Pero no de esas que se hacen y se escuchan por montones actualmente, este es un tema con mucho caracter y personalidad, acompado por una guitarra clasica, una percusion excepcional y un maravilloso Herman olivera en las voces. su hermana instrumental MY LOVE WILL RETURN, mi preferida, donde Chris Amelar nos lleva por toda la interpretacion con su exquisita guitarra. GUANTA RICO y ELIANA son para mi unas extras pero muy interesantes fusiones con la musica estadounidense disco de los aos 80, con un Michael Tate espectacular. 3D nos obsequia con RITMO DE VIDA, un trabajo de excelente calidad de principio a fin, con diez composiciones originales llenas de energia y vitalidad y en donde Todos los integrantes del conjunto se complementan entre si. Aqui no importa si bailas , saltas o si simplemente estas sentado escuchando, La musica de 3D captura tu espiritu y lo hace perder en una peculiar e interesante aventura, eso es RITMO DE VIDA, una peligrosa y exquista aventura espiritual y casi mistica por la selvas y playas del Caribe." - El Chino ( Solar Latin Club )Cali, Colombia




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